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	<title>Zeynep Kaserci</title>
	<link>https://zeynepkaserci.com</link>
	<description>Zeynep Kaserci</description>
	<pubDate>Fri, 12 Mar 2021 14:18:22 +0000</pubDate>
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		<title>Home Page</title>
				
		<link>https://zeynepkaserci.com/Home-Page</link>

		<pubDate>Mon, 22 Feb 2021 21:27:01 +0000</pubDate>

		<dc:creator>Zeynep Kaserci</dc:creator>

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		<title>about</title>
				
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		<pubDate>Mon, 22 Feb 2021 21:27:04 +0000</pubDate>

		<dc:creator>Zeynep Kaserci</dc:creator>

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I am a documentary filmmaker and researcher based in London.
 
Born in Izmir, Turkey, I moved to Scotland to pursue my undergraduate degree in art history and social anthropology at the University of St Andrews
and completed my MA at the Granada Center for Visual Anthropology in Manchester. 
In my media work, I am interested in exploring the poetics of everyday life and telling stories that humanise social issues.


Jellyfish are my biggest fear.But I am slowly beginning&#38;nbsp;to appreciate them.I guess life is all about these processes,
and learning to find the beauty in our differences.
︎︎


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		<title>Ocak</title>
				
		<link>https://zeynepkaserci.com/Ocak</link>

		<pubDate>Mon, 22 Feb 2021 21:27:02 +0000</pubDate>

		<dc:creator>Zeynep Kaserci</dc:creator>

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OCAK
2020Giresun,
Turkey28 min


Festival Screenings
Royal Anthropological Institute Film Festival 2021, UK 

Bharat International Film Festival 2021, India - 
Best Documentary

Palma de Mallorca International Films Infest Festival 2020, Spain

Society for Visual Anthropology Film and Media Festival 2020, USA

Regard Bleu: Film Festival 2020, Switzerland 
IFF Etnofilm Čadca 2020, Slovakia 
Venice Intercultural Film Festival 2020, Italy 
Anatolia International Film Festival 2020, Turkey


	Ocak is a short documentary film that explores the story of a family who earns their livelihood as hazelnut cultivators in rural north-eastern Turkey.
 Filmed in an observational style, it offers glimpses into the local everyday life in the village and explores the relationship between people and their hazelnut gardens which have been inherited throughout generations. As the film reflects on labor and gender, it also asks questions about the heart, land and family.
Ocak hopes to challenge the all too prevalent mainstream narrative within the documentary media tradition, which frame gender dynamics in the Muslim Middle East simply as an oppressor-oppressed dichotomy. 
By taking the audience closer to the daily worries and desires, joys and quarrels of the people on screen, Ocak provides an in-depth ethnographic understanding of life as lived by the members of this community.



	
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		<title>Community</title>
				
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		<pubDate>Mon, 22 Feb 2021 21:27:02 +0000</pubDate>

		<dc:creator>Zeynep Kaserci</dc:creator>

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	COMMUNITY2019Manchester, UK17 minin collaboration with Joseph Bonnell



	This is a short ethnographic documentary about a group of people and their community garden. 
It is set in Woodbank Community Food Hub, an urban horticulture hub in Stockport, Greater Manchester.
The film reflects on this garden’s role as a place where people can access to sustainably sourced organic produce by taking a part in the growing process.






	

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		<title>Taxidermy</title>
				
		<link>https://zeynepkaserci.com/Taxidermy</link>

		<pubDate>Tue, 23 Feb 2021 14:31:49 +0000</pubDate>

		<dc:creator>Zeynep Kaserci</dc:creator>

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	TAXIDERMY2019York, UK10 minin collaboration with Melanie Grant



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		<title>Seker Reis</title>
				
		<link>https://zeynepkaserci.com/Seker-Reis</link>

		<pubDate>Fri, 12 Mar 2021 14:18:22 +0000</pubDate>

		<dc:creator>Zeynep Kaserci</dc:creator>

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FISHING NETS AND TACTILE ENCOUNTERS
2019
Turkeyphotography &#38;amp;
sound recordings



	
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	These images are part of a photo-essay that explore a fisherman’s relationship to the sea and the wider marine environment through the lens of his fishing practice.


The photographs evoke the fundamental role played by the fishing nets in my participant Şeker Reis’ daily routine and reveal the networks and relationships created by the materiality of these nets.


The project takes place in Foça, a coastal town in Turkey where local life revolves around the Aegean Sea and everything that comes out of it. Streets are filled with seafood restaurants and with people enjoying the fresh catch of the day as the cats and gulls wait for their turn.


In this photo-essay, the viewers are encouraged to question the categorical opposition often placed between the notions of nature and culture and they are asked to engage with the sociality engendered through the sense of touch.


I borrow the concept of entanglement/interweaving from the phenomenological philosopher Merleau-Ponty to re-conceptualise these emerging social and bodily encounters between my participant and the non-human animals.





Each type of media - text, photographs, moving images and audio - have their individual strengths and limitations based on their ontological conditioning, which inevitably shape the content of knowledge that can be conveyed in an anthropological research.

	




	
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Throughout my conversations with Şeker Reis, the concept of time and slow pace of daily life came up numerous times. Photography in particular appeared to be quite restricted in its representational capacity when the question involved conveying an experience of temporality and evoking the invisible rhythms unique to a place.

Doing anthropology through sound opened up my ethnographic practice by allowing me to ask what it is that people hear every day. This allowed me to engage with a local acoustemology - defined by the ethnomusicologist Steven Feld as ‘one’s sonic way of knowing and being in the world’. 
To think with and through sound not only challenged the pervasive visual bias in anthropological represention of human life, but it also encouraged me as a researcher to recognise sound’s ability to communicate a form of experiential truth.


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		<title>cv</title>
				
		<link>https://zeynepkaserci.com/cv</link>

		<pubDate>Tue, 23 Feb 2021 14:10:10 +0000</pubDate>

		<dc:creator>Zeynep Kaserci</dc:creator>

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	Education
2018 – 2019 MA with Distinction in Visual Anthropology, The University of Manchester
2014 – 2018 BA with First Class Honours in History of Art and Social Anthropology, The University of St Andrews
Screenings / Exhibitions


Royal Anthropological Institute Film Festival, UK – March 2021 online

Bharat International Film Festival, Mumbai, India – January 2021 – Best Short Film/Documentary

Palma de Mallorca International Films Infest Festival, Spain – December 2020

Society for Visual Anthropology Film and Media Festival, American Anthropological Association, USA – October 2020 online

Regard Bleu: Film Festival, Zurich, Switzerland – October 2020


IFF Etnofilm Čadca, Slovakia – October 2020

NAFA International Ethnographic Film Festival, Lisbon, Portugal – October 2020 cancelled due to Covid-19

Festival International du Film Ethnographic du Quebec, Montreal, Canada – May 2020 cancelled due to Covid-19 
Venice Intercultural Film Festival, Italy – June 2020

Anatolia International Film Festival, Istanbul, Turkey – May 2020


Kinofilm: Manchester International Film Festival, UK – March 2020 cancelled due to Covid-19

Publications
Bowdoin Journal of Art, ‘Blurring the Boundaries Between the Sacred and the Profane: Sufi Architecture in the Ottoman Empire. A Case Study of the Galata Mevlevihane in Istanbul’, 2018

Labs / Workshops


2016 – Tibetan Mahayana Buddhism Retreat, Tushita Meditation Centre, Dharamshala, India

2015 – Sculpting the Human Figure with Grzegorz Gwiazda, Barcelona Academy of Art, Spain


Awards / Achievements



2017 - 2018 – Deans’ List, The University of St Andrews
2016 - 2017&#38;nbsp;– Deans’ List, The University of St Andrews 


2016 - 2017 – Undergraduate Research Assistantship Programme, The University of St Andrews
2013 – The ECIS Award for International Understanding



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